Judit Reigl

Paris et nulle part ailleurs

Musée de l'histoire de l'immigration

24 artistes étrangers à Paris. 1945-1972

The exhibition Paris et nulle part ailleurs (Paris and Nowhere Else) immerses the public in the years of post-war tumult that saw the emergence of new artistic visions, in the fields of abstraction, figuration and kinetic art, between 1945 and 1972.
In the first half of the 20th century, Paris was the world capital of the arts, a hotbed for avant-garde movements, attracting artists and intellectuals from across the world. After World War 2, despite the increasing appeal of New York, Paris and – for many people – nowhere else, was still the place you had to go to be trained, to create, to exhibit, to compare your work with that of others, to write the very history of art.

The exibition
Of the 15,000 artists active in Paris at this time, 60 to 65% of them were foreigners. Whether they spent a few months, a few years, left and came back, or settled there definitively, why did these artists come? How was their work impacted by this change in environment, how does it express that? Are their migratory paths similar to those of their compatriots? Paris et nulle part ailleurs examines 24 artists of various origins (Europe, Africa, Latin America, USA, Asia) who came to Paris and whose work helps us grasp the key issues of migration.

Organised into four themes: going into exile, blending home culture and host culture, reacting to the strangeness of the world they were discovering, building a universal language without borders, the exhibition covers the motivations for leaving, the experience of settling in, socializing, and a sometimes difficult everyday life in a more or less welcoming and cosmopolitan city, now their new home..

The exhibition features around one hundred works from private and public collections – drawings, sculptures, paintings, collages – by Shafic Abboud (Lebanon), Eduardo Arroyo (Spain), André Cadere (Romania), Ahmed Cherkaoui (Morocco), Carlos Cruz-Diez (Vénezuela), Dado (Montenegro), Erró (Iceland), Tetsumi Kudo (Japan), Wifredo Lam (Cuba), Julio Le Parc (Argentina), Milvia Maglione (Italy), Roberto Matta (Chile), Joan Mitchell (USA), Véra Molnar (Hungary), Iba N’Diaye (Senegal), Alicia Penalba (Argentina), Judit Reigl (Hungary), Antonio Seguí (Argentina), Jesús Rafael Soto (Venezuela), Daniel Spoerri (Romania), Hervé Télémaque (Haiti), Victor Vasarely (Hungary), Maria Helena Vieira da Silva (Portugal), Zao Wou-Ki (China).

Exhibition curated
Jean-Paul Ameline

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At the heart of Abstraction Works from the collection of the Fondation Gandur pour l’Art

Fondation Maeght

The exhibition at the Fondation Maeght will show works from the collection of the Fondation Gandur pour l’Art from the 2nd of July until the 20th of November 2022 and offers an immersion in the vibrant creation of the years 1945 to 1980.

Home to a collection of more than 13,000 works, Fondation Maeght is always keen and honoured to showcase other collections, some of which are rarely accessible to the public, as it has consistently done in the past. This summer, from 2 July to 20 November, it is unveiling some 120 works from the Fondation Gandur pour l’Art (Geneva) and offering a riveting immersion into abstraction from the 1950s to the 1980s.

In the wake of Second World War, as many European artists exiled in the United States headed back to France, Paris regained its status as a hotbed of creativity and a global cultural capital. Driven by a thirst for freedom and a craving to rethink painting in the post-war years, artists from all over the world returned to their studios, abandoned during the German occupation, and engaged in an era of creative effervescence, be it in the arts, literature or filmmaking. While the breakthroughs by the vanguards of the first half of the 20th century were an invaluable post-war stimulus, abstract art renewed itself from the most gestural expression to the interrogation of materials, mediums and techniques.

The Fondation Gandur pour l’Art’s outstanding collection displayed at Fondation Maeght reveals the variety of forms em- braced by abstraction during these creative years. Works by Hans Hartung, Martin Barré, Simon Hantaï or Pierre Soulag- es trace the evolution of non-figurative art over four decades. In a thematic and chronological layout, the exhibition invites the viewer to discover lyrical and gestural abstraction by Georges Mathieu, abstract expressionism by Sam Francis and Joan Mitchell, geometric abstraction by Victor Vasarely, kinetic works by Alexander Calder and Jean Tinguely, through to the rethinking of painting by the Supports/Surfaces group. The 1980s ushered in an era of revitalized abstract art, building on the hectic experimentation of earlier years.

Guest curator: Yan Schubert, the Gandur Collection pour l’Art curato

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